Norman Foster is a globally recognized figure in architecture. His agency has created more than 300 projects around the world, many of which have profoundly marked and transformed the cities and landscapes in which they reside. This new monograph, published in partnership with the Centre Pompidou, presents more than 80 of Foster's key projects, from the Cockpit (1964), a private house in Cornwall, through to Spaceport America (2006-2014), the world's first terminal for space tourists, built in the desert landscape of New Mexico. Each project is illustrated with drawings, sketches and photographs, placed alongside insightful text. The book also features an essay by Frédéric Migayrou, curator of an attendant Centre Pompidou exhibition on Foster; a biography by celebrated architectural critic, Philip Jodidio; and an extensive interview with Foster himself. Foster has also contributed an anthology of six analytical texts, written across the broad span of his career.
The Parisian cafe is an integral part of the city's daily life no matter the weather, the time of day or year, the mood or neighbourhood. It is the spirit of the cafe , the dance of the waiters, the camaraderie of the patrons, the perpetual movement and joy, that brings Joanie Osburn to share a dollop of history, a shot of insight, and a boatload of images that celebrate the Paris cafe as a cultural heritage worth celebrating and preserving.
Cafe Society: Time Suspended, The Cafes, & Bistros of Paris is neither a history book nor a cookbook, but a non-traditional travel guide, coffee table, and lifestyle book about a treasured lifestyle. Osburn's unique perspective, honed over many decades as an American in Paris exploring and capturing images of cafe society, captivates and amuses with anecdotes and insider recommendations.
Cafe Society: Time Suspended, The Cafe s, and Bistros of Paris is a book that matters now as the world reopens and eager travellers return to Paris. The spirit of the cafe brings Joanie Osburn to share a dollop of history, a shot of insight, and a boatload of images that celebrate the Paris cafe as a cultural heritage worth preserving.
The palaces built in Rome in the seventeenth and eighteenth centuries are some of the most magnificent buildings in Europe - yet they remain relatively unfamiliar. This is the first stand-alone overview guide ever published. We produce it as a companion volume to our revised edition of Anthony Blunt's seminal A Guide to Baroque Rome: The Churches.
In this volume, Anthony Langdon draws on an encyclopaedic knowledge of the hugely productive scholarship in the field, which he distills with elegance, acumen and wit. Over the last 30 years all aspects of the design, construction, decoration and functions of these great houses have been examined and our understanding of the period has been transformed. Scholars and visitors will find this volume stimulating, concise and eminently readable.
The rich illustrations include over 140 contemporary prints, as well as plans, elevations, and specially taken photographs. Full references and indexes complete this indispensable aid to further research.
In the East Falls neighbourhood of Philadelphia, just beyond the northern boundary of the Thomas Jefferson University's East Falls campus, stands the Hassrick House (1958-61), designed by celebrated architect Richard Neutra, an icon of mid-century modern style. Often described as an East Coast interpretation of California Modernism, the Hassrick House is one of only three buildings designed by Neutra within the city limits.
Thomas Jefferson University's relationship with the house began in the summer of 2015 when Andrew Hart, assistant professor of Architecture in the College of Architecture & the Built Environment initiated a series of summer courses to study the house. The first multidisciplinary group of students engaged in architectural survey, drawing, and photography. Subsequent summer courses refined the architectural drawings, following the Historic American Buildings Survey (HABS) and Historic American Landscape Survey (HALS) standards. Yet another student cohort undertook documentary research to uncover the history of the house and its occupants. Then owners George Acosta and John Hauser were supportive collaborators with students in this process. Neutra's architecture and his relationship with the Hassricks - particularly Barbara who emerged as the primary client voice while the house was being designed - captured the hearts, minds, and imaginations of everyone who engaged with the house. As one student recalled, "We have all gotten swept away in the stories unfolding from our research." In 2018, Hauser and Acosta sold the property to the university with the understanding that the house would continue to be used for educational purposes. In George's words, "I had come to realize that the students can be the future custodians of that home. They can be the eyes. They can be the archives. In a way, it becomes all of ours to share." This publication chronicles the students' findings that shed light on Neutra's design process, his collaboration with his clients, as well as the unsung role of Thaddeus Longstreth as Neutra's proxy negotiator throughout the design and construction stages. During its approximately 63-year lifespan, the Hassrick House tells a saga of design, dwelling, neglect, restoration, and reinvention today as a laboratory for learning. In many respects, the history of the Hassrick House tells an important story of the modernist movement in the US, both regionally and nationally.
Edwin Lutyens, one of the most famous architectural names of the 20th century, died in 1944. As a memorial, three large volumes of his drawings and photographs were commissioned from the thousands found in his office, and were published by Country Life.
All three volumes will be republished in 2023. The first volume contains his own plans, elevations and copious details of the finest examples of his domestic buildings, on which his huge reputation principally rests. The book embodies the quintessence of the man and his work; the variety of style and design seen in the houses brings together in one volume the many strands of Lutyen's fertile mind. Two further volumes will include his corporate and public buildings.
The genius of Lutyens is now universally recognised. In the work featured in this book, we can now see not just the professionalism of a great architect, but also the loving care with which he set down the most minute detail, with the result that this is one of the few books in existence that can be used to provide working drawings.
The genius of Edwin Lutyens is now universally recognized. When the acclaimed English architect passed away in 1944, three large volumes of his drawings and photographs were commissioned from the thousands found in his office and were published by Country Life. In 2023, all three volumes will be republished by ACC Art Books. This third and final volume showcases Lutyens' detailed plans and elevations for the greatest examples of his townhouse renovations, memorials and public buildings, including the Cenotaph at Westminster, the Thiepval Memorial, and the colossal Midland Bank building in Manchester. These reissues are once again bringing to the world's attention not just the professionalism of a great architect, but also the loving care with which he set down the minutiae of his visions. They are among the few books in existence illustrated with his working drawings, as well as pristine photos of the finished masterpieces themselves. A beautiful tribute to a monumental figure in the history of modern architecture.
Iran, the former Persia, lies at an interface between West-East and North-South. Several early trade routes crossed the country, connecting Asia, Africa and Europe, and the cultural wealth and scenic beauty of this region has attracted travellers for over 2,000 years. This rich past makes Iran one of the most culturally interesting countries of Asia.
The art of building has a special significance here. In contrast to other fields of knowledge, visual communication is particularly important in architecture. Much cannot be fully described; it must be made visible.
In his book, Sohrab Sardashti immerses us in the dreamlike world of Iranian architecture. At the beginning of the book, the history of Iranian architecture is briefly described. Then an impressive variety of buildings is presented, divided according to their different functions. Mosques, tombs, madrassas, hammams, castles, palaces and more are all covered. The text at the beginning of each chapter briefly explains the nature and history of that type of building, followed by a series of examples with a short text on each, and an abundance of photos taken especially for this book.
The book allows one to experience the great diversity and fascination of Iranian architecture and is a visual treat for the reader
- Volume two of The Architecture of Sir Edwin Lutyens.
- Demonstrates the loving detail of his designs.
- Includes the Johannesburg Art Gallery, the Washington Embassy and the Viceroy's Palace in New Delhi.
- One of the few books in the world that can provide working drawings - Beautiful black-and-white photographs.
Edwin Lutyens was one of the most famous architects of the 20th century. After he died in 1944, three large volumes of his drawings and photographs were commissioned and published by Country Life as a tribute. All three volumes are in the process of being reissued. Having earned his reputation designing domestic buildings, he was soon given scope to expand his practice to the outdoors and to public projects. This second volume contains his extensive contributions to garden design and town planning, as well as the finest examples of his bridges and a selection of monumental civic constructions. These include various university buildings, the Johannesburg Art Gallery, the Washington Embassy and the Viceroy's Palace in New Delhi. The genius of Lutyens is now universally recognized. In the work featured in this book, we can now see not just the professionalism of a great architect, but also the loving care with which he set down the most minute detail, with the result that this is one of the few books in existence that can be used to provide working drawings. Also available: The Architecture of Sir Edwin Lutyens: Volume 1, Country Houses ISBN 9781788842181.
A. Lawrence Kocher, American architect, delves into the complete body of work of a figure that warrants recovery from obscurity, remaining undervalued by most critics who have analysed only his works alongside the Swiss architect Albert Frey, thereby overlooking his profound contributions to American modern architecture
This book is addressed to an international audience of architects, architectural historians, and students of architecture
The book is primarily descriptive and rigorous. It relies on a comprehensive analysis and graphic reconstruction of the case studies, including their building technology and construction processes
The images of the book, most of them previously unpublished, are in their majority held within the A. Lawrence Kocher Collection at the John. D. Rockefeller Jr. Library in Williamsburg, Virginia. There are 590 archival images and 63 original drawings by the authors
The book offers a new conceptual and historical framework for the study of Lawrence Kocher?s body of work that relocates it within the history of American modern architecture. Kocher?s work as an independent designer has received very little critical attention. The book devotes several chapters to this little-known part of Kocher?s practice and re-situates him as one of the main protagonists in the history of American Modern architecture and reveals the profound relationship between Kocher?s designs and existing American domestic traditions. Kocher? concept of the vernacular included not only the different residential types of Colonial and Early Republican America, but most importantly, other kinds of transitional dwelling artifacts. This book tries to provide evidence about Kocher?s intention of using these vernacular artifacts, alongside the concepts of prefabrication and industrialization inherent to them as a base to construct a new national architecture in which to graft the European modernist tradition.
Kocher?s ideological position and his continuous eagerness for experimentation transformed him into an atypical practitioner. While many of his contemporaries were purely design focused, he established a very avant-garde symbiosis among his three main endeavors: his work as an educator, as a scholar, and as a practitioner. Some of his architectural works can be seen as manifestos that would later further develop in the articles of Architectural Record. Some others are the direct and material demonstrations of industrial systems and materials previously explored in his articles. Even other works are conceived and executed as part of a pedagogical activity.
A definitive corporate history of the first century of the Rambusch Decorating Company in New York, this book traces the firm?s development over four generations: from early decorative and mural work to expansion into a wide range of other media through building types and the contributions of more than two dozen craftspeople reflecting an international scope
The author envisions the volume being marketed to the membership of such wide-ranging institutional groups as the Victorian Society in America, Illuminating Society in America, General Society of Mechanics & Tradesmen, American Studies Association, Society of Architectural Historians, and others, whose interests overlap with themes covered in her manuscript
Rambusch: The First 100 Years, 1898?1998 chronicles the growth of an independent, workshop-based, family business now being run by a fourth generation. This book offers the definitive history of the company started by Danish-born Frode Christian Valdemar Rambusch (1859?1924) in New York. Beginning with his efforts in decorative painting and murals, the story expands into lighting design and continues with a study of subsequent generations building upon - and further expanding - these fields of work into other media. The narrative also provides focus on more than two dozen artisans responsible for making the objects and interiors often requested by well-known architects.
Few American firms have flourished as this company has in the United States. Now in the 21st century, the firm inspires similar collaborative efforts between architects, designers, and craft studios to work together for the decorative arts to regain their place in the finishing of our nation?s buildings.
Notable for its longevity and still going strong, the story of Rambusch needs to be told, especially while generations who have institutional memory can tell it.
Parisian churches are revered around the globe. Their stunning stained-glass windows and intricate Gothic architecture are accomplishments of unrivalled elegance. Churches of Paris gathers 40 of the finest in the City of Light, spanning the 12th to the 20th centuries. Each entry is embellished with beautiful colour photography and behind-the-scenes historical commentary.
Offering insight into the buildings' construction and genesis, this book narrates how each church was shaped by war, revolution and time. With information on restoration and preservation, this is an invaluable guide for Francophiles and curious armchair travellers alike.
Since the mid-1990s, when China allowed its architects to practice independently from government-run design institutes, a new kind of architecture, distinguished by unique regional characteristics, has emerged. China Dialogues is a rigorously selected collection of insightful interviews that the book's author Vladimir Belogolovsky has conducted with 21 leading Chinese architects during his extensive travels in China. At the time when so many buildings that are being built around the world are no longer rooted in their place and culture, the leading Chinese architects succeeded collectively in producing unique architectural body of work that could not be confused with any other regional school. The interviews are accompanied by over 120 photographs and drawings of beautifully executed projects built throughout China since early 2000s. China Dialogues opens up the thinking process of the country's top architects, as they share their ideas, insights, intentions, and visions in unusually revealing and candid ways.
A formal study of the Venetian facade as a unique facade typology and as a resource for the design of modern facades
The Venetian facade is a unique contribution to urban design
As cities become increasingly important ecologically, socially, and economically, the design of urban facades will again become increasingly important
There are no books that focus on the unique artistic characteristics of the Venetian facade and its potential relevance to contemporary architectural and urban issues, as this book intends. This book is about architecture. It is not about history, although a bit of history is necessary to set the context. It is not about theory, although, again, a bit is necessary to connect the facade with urbanism. It is also not about structure and technology. And, most definitely, it is not about the plan. All of these topics are well-covered elsewhere. This book is about the facade. It explores the art and typology of the Venetian facade, not only as a high point of architectural literacy and achievement, but as a potentially useful contemporary stimulant.
Scholar and historian Christopher Long turns his attention to the little-known German-born architect and designer Jock Peters (1889-1934). Long's engaging study introduces us to the modernist's architectural work in Hamburg, Germany before World War I, and also to Peters' work created after he immigrated to America in 1922. Most notable are his interiors for the once-famous Hollander department store in New York City and for Bullock's Wilshire in Los Angeles (the building was recently restored by Southwestern Law School). Both projects brought him international recognition. Peters also designed a dynamic sales office building for the short-lived Maddox Airlines, as well as stores and houses for the developer William Lingenbrink, a major supporter of the burgeoning modernism in Southern California. Aside from his architectural work, Peters designed film sets for Famous Lasky-Players (later Paramount Pictures), working in the famed art department of Hans Dreier. Despite his early death, Peters managed to leave his mark on the modernist landscape in Southern California at a time when the new style was just emerging.
'One of the very few necessary and inevitable utterances of the century.' William Morris, in the Preface. The Nature of Gothic started life as a chapter in Ruskin's masterwork, The Stones of Venice. Ruskin came to lament the 'Frankenstein monsters' of Victorian buildings with added Gothic which 'The Stones' inspired; but despite his misgivings the original moral purpose of his writing had not fallen on stony ground. The Nature of Gothic, the last chapter of the second volume, had marked his progression from art critic to social critic; in it he found the true seam of his thought, and it was quickly recognised for the revolutionary writing it was. As Morris himself put it, The Nature of Gothic 'pointed out a new road on which the world should travel'; and in its indictment of meaningless modern labour and its celebration of medieval architecture it could be called the foundation stone of Morris's aesthetic and purpose in life. 40 years after he first read it, Morris chose Ruskin's text for one of the first books to be published at his Kelmscott Press, using his own Golden type. It is one of the summits of his career, and one of the most beautiful books ever published. Few books can so completely sum up an era. The Kelmscott Nature of Gothic encapsulates the meeting of two remarkable minds and embodies their influence in word, image and design. But more than that, Ruskin's words are increasingly relevant for our times. In this facsimile edition, the first ever made of this rare book, the reader can fully appreciate their importance and their legacy, as understood by one of the most potent visual imaginations to have worked in Britain. In this enlarged edition, essays by leading scholars, Robert Hewison (who was one of Ruskin's successors as Slade Professor of Fine Art at Oxford University), Tony Pinkney (Senior Lecturer at Lancaster University) and Robert Brownell (lecturer, stained glass maker and author of Marriage of Inconvenience) explain the importance of this book for Ruskin, for Morris and for us today.
Step away from the traditional highlights of the city of innovators, great benefactors, artists, presidents and hucksters to discover innumerable interesting and unknown sites, artefacts and other treats in Washington, DC. Visit places that are unknown and hiding in plain sight, that may go unnoticed or simply be unknown, whether to a visitor or a long-time resident. Play a round of miniature golf among the cherry trees. Buy original art works out of a vintage cigarette machine. Catch a show at one of the refurbished theatres where Louis Armstrong and Duke Ellington used to gig. Commune with the Godfather of Go-Go music in his memorial park. Get away from the tourists and peace out by walking a labyrinth alongside the Potomac River. Try an American Indian salad made of obscure root vegetables in a cafe called Let's Eat.
The design process of 11 award winning public buildings candidly revealed through personal narratives, sketches, diagrams and finished photography
Insights into the professional and personal challenges of mentorship, growth and succession in the world of architecture
The art of collaboration in crafting inclusive, resilient and beautiful space for public use
Architect Andrew Frontini converts the architectural monograph into a story-telling vehicle to candidly reveal the inner workings of the architect?s creative process as it intersects with the constantly evolving needs of our society. Eleven narrative insertions are bound into the body of the monograph providing a parallel reading experience -one that gets in behind the polished architectural photography and curated drawings to reveal the poignant, often absurd and occasionally painful lessons that accompanied the gestation of each project. Every building has a story to tell and, in sum, these stories map the road an architect?s career can take. Populated with cunning contractors, inspiring design legends (such as the late Cornelia Oberlander), intractable bureaucrats, obstinate senior partners, mentors, students, rivals and collaborators of every stripe, Frontini?s road navigates technological revolutions, precipitous economies and societal threats that challenge the very notion of what architecture needs to be. With candor, humour and a design philosophy that is fundamentally open to suggestion, Frontini converts his personal experience into a set of universal reflections that are sure to inform, inspire and console architects (and the architecturally curious) at any stage in their journey.
Fountain Safari places on the shelf the most sharply focused, comprehensive, useful, entertaining, and long-lasting survey of fountains written to date, aimed to provide a panoramic portrait of the fountain class of artistic endeavour.
We build fountains - those vibrant symbols of life and physical embodiments of beauty - to mark and celebrate our favoured places. This act is an honour to all, and like listening to music, it is understood on an intuitive level. We also build fountains to commemorate life. Water is the basis for, and the symbol of, life. Many fountains are articulated to recognise some person, institution, or idea. Those particular recognitions are fused with water's deeper symbolism to convey everlastingness to the identities being celebrated.
Fountain Safari places on the shelf a sharply focused, comprehensive, useful, entertaining, and hopefully lasting survey aimed to provide a panoramic portrait of the fountain class of artistic endeavour. The material attends especially to the aesthetics of water expression by examining numerous esteemed examples. In the process, a sketch is roughed out of the evolution of fountains over some two millennia and across several cultures. Ultimately, the work attempts to deepen the understanding and appreciation of water features by identifying and clarifying their most essential aesthetic qualities.
Fountain Safari is written for design professionals, architects, landscape architects, urban designers, planners, students of the arts or the built environment?and everyone else interested in the engaging, one-of-a-kind subject of fountains.
A charming photographic study of the quintessential American house style.
Originally developed in the 1600s to withstand harsh Massachusetts winters, the Cape Cod cottage?with its central door and chimney, flanking windows, and steeply pitched roof?is an instantly recognisable architectural form. Thanks to its simple and versatile layout, it has been adapted in countless ways by modern builders, and remains one of the most popular styles of American house.
In this photo essay?printed in beautiful black and white and accompanied by an insightful introduction?William Morgan traces the entire history of the Cape Cod cottage, from its Colonial origins, to the suburban starter homes of mid-century America, to the creative interpretations of contemporary architects. The images?most of them Morgan?s own?explore both the pleasingly understated exteriors and the cosy interiors of representative Cape Cod cottages.
Newly reissued in a handsome hardcover edition, The Cape Cod Cottage will be the perfect gift for anyone who lives in one of these classic American homes.
In the South of France, sited on a hill of olive trees, pinus pinea, and a vineyard, a family retreat was designed with a key mission of maintaining the vitality of the site. A small agricultural plot, the site offered the possibility of amplification. With the introduction of a garden and many outdoor living spaces, the family had the intention of cultivating the landscape as part of their stewardship. In part a response to a programmatic brief, but moreover, a discursive response to architectural predicaments of geometry, typology, and anomaly, the house is also a response to Preston Scott Cohen's pedagogies on architecture.
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