Recognising that buildings are a major contributor to global warming and the critical role of embodied versus operational carbon, the book focuses on houses built from materials that either sequester carbon (plants), use materials with very low embodied carbon (earth and stone) or reuse substantial amounts of existing materials. Organised by those materials (wood, bamboo, straw, hemp, cork, earth, brick, stone and re-use), and incorporating life cycle diagrams demonstrating how the raw material is processed into building components, the book shows how the unique properties of each material can transform the ways architects conceive the sections of houses. The house was selected as the vehicle for these investigations due to its scale, its role as a site of architectural experimentation, and its ubiquity.
Building on the techniques of the Manual of Section, the book is comprised of newly generated cross-sectional drawings of 55 recent, modestly sized houses from around the world, making legible the tectonics and materials used in their construction. Each house is also shown through exploded axonometric, construction photographs and colour photographs of the exterior and interior. Introductory essays set up the importance of embodied carbon, the role of vernacular plant-based construction and the problems of contemporary house construction. Drawing connections between the architecture of the house, environmental systems and material economies, the book seeks to change how we build now and for the future.
In the 1960s, British jewellery underwent a revolution. Natural, uncut stones exploded into vogue and a 1961 exhibition at the Goldsmith's Hall kickstarted the nation's new obsession with gold. The women who shopped at Quant's Bazaar and Hulaniki's Biba no longer just received jewellery as gifts. They placed their own orders, exploring Grima's drizzled gold and Flockinger's fused metallic experimentations; John Donald's textured gold cubes and the House of Munsteiner's curious new gem cuts. This was an era of innovation - captured here through insights into the work of 25 major jewellers and sumptuous pictures of their work.
This book introduces the most influential British designers, jewellers, goldsmiths and silversmiths of 1960-1980. Tracing the evolution of style across these decades, Modern British Jewellery Designers reveals the designers' inspirations and the identifying signatures of their work. Accompanied by new photography showing each designer's creations, this is the perfect introduction for anyone with an interest in collecting, or learning more about this transformative period in British jewellery design.
Discovered in December 1994 and inscribed on UNESCO's World Heritage List in 2014, the Chauvet-Pont-d'Arc Cave is a masterpiece of prehistoric art. Far more than just a decorated cave, it boasts an exceptional state of preservation, breathtaking underground landscapes, and drawings (depicting lions, cave bears, mammoths, horses, bison, and more) in red, black, and engraved forms of unparalleled magnificence, making it a treasure of humanity. This discovery has revolutionised perspectives on Paleolithic art research. The cave gradually reveals its secrets, with animal and human traces and footprints, and datings that push back the origins of these complex graphic representations and the rituals that accompanied them far into our past.
This book offers a visual tour of the oldest adorned cave on the Eurasian continent, showcasing the earliest images created by humanity 38,000 years ago, by the species that now populates the planet: Homo sapiens.
The exhibition An Ancient and Honorable Citizen of Florence - The Bargello and Dante, sponsored by the Comitato Nazionale per le Celebrazioni del 700° Anniversario della morte di Dante Alighieri, is the result of the inter-institutional partnership between the Musei del Bargello and the Università di Firenze, and sees the collaboration between the Departments of Literature and Philosophy (DILEF) and of History, Archaeology, Geography, Art and Entertainment (SAGAS) of the University of Florence. The Bargello is Dante?s place par excellence in Florence: here you can find the oldest portrait of Dante, painted by Giotto and his work in 1337, a period during which the Divina Commedia was being spread throughout the city.
The catalogue ? rich with essays and extracts by numerous specialists ? illustrates the complex link between Dante, his work and Florence, analysing the dense network of relationships between painters, illuminators, copyists and commentators, engaged in an unprecedented editorial and artistic enterprise. The volume is enriched with illustrations of the works on display and illuminated manuscripts, as well as a precious final photographic atlas of the murals in the Podestà chapel, which houses the poet?s portrait. Dante was very often a frequenter of the different rooms as a prior of the Bargello and in these same rooms he received both his sentence of exile, and his sentence to death (March 10, 1302). The reconstruction of the delicate relationship between the Poet and Florence assumes an importance that goes far beyond city borders, indelibly investing the history of Dante?s fortune and the way in which we still look at him and his work today.
This book traces the historic evolution of urban form, principles, and design; it serves as a compendium, or reference, of city design; and is a polemic about the necessity for the recovery of the city and a contemporary urban architecture. It begins with the planned cities of Greece and the Roman Empire from about 500 BC, through the late-medieval Bastides, the Ideal Renaissance cities, and Baroque new towns, to the urban planning strategies of the nineteenth and early twentieth centuries. It covers anti-urban modernist architecture and the resulting disintegration of the city. It concludes with late-twentieth-century efforts to recover the city, a contemporary urban architecture, and urbanism's potential contribution to the contemporary ecological crisis.
The book is project oriented and extensively illustrated. It may be read graphically, textually, or both. As such, it falls into the long tradition of illustrated treatises in which theory is embedded in the projects, with only occasional assistance or clarification from the text. Architecture and urban design are physical arts, not verbal arts, and they are best understood from graphic representations.
This book is a celebration of the disappearing world of ice and snow, or what scientists know as The Cryosphere. Although frozen water represents a significant component of Planet Earth, it is rapidly declining, both in area and volume, in response to global warming. The next few generations of humanity will see unprecedented change in ice and snow cover, so now is the time to place on record the magical beauty of such areas.
The two authors have each studied glaciers for half a century, both as researchers and educators. We have had the opportunity to work in both polar regions, and several of the world's major mountain ranges. They examine ice and snow on all scales, from the mighty glaciers and ice sheets that still cover ten per cent of Earth's land surface to frozen puddles and fluffy snow. We illustrate how a myriad of snowflakes are transformed into glacier ice, which then flows under the influence of gravity, and finally disappears through melting. They illustrate how glaciers have eroded Earth's surface to produce some of our most stunning landscapes, and the importance of deposition of debris to the provision of rich soils. They explore ice in the ocean, on lakes and in rivers, and they illustrate the delicate beauty of frost and snow. Finally, they show some of the ways in which plants, animals and humans interact with the Cryosphere.
Our Frozen Planet serves as a reminder of what we are losing, but also gives us the courage to tackle the global climate emergency.
Yumi Katsura is the greatest fashion designer you've never heard of. One of the world's bestselling luxury wedding-dress designers, she is venerated in her native Japan as a cultural icon and an inspirational business leader. Among her most celebrated pieces is a paper 'washi mode' dress housed in the Metropolitan Museum of Art; a vestment worn by Pope John Paul II; and a diamond-laden wedding gown ranked among the most expensive of all time.
These beautifully illustrated pages tell the story of a woman who single-handedly created Japan's modern wedding industry, turning centuries of tradition on its head. From Katsura's childhood in the ruins of wartime Tokyo to her stellar international career, her life is an example to anyone who dreams of living for their passion. Written by Cori Coppola - producer of the acclaimed documentary House of Cardin - with co-author Kristin Coppola, this lavish fashion biography is a must-have for critics, connoisseurs and couture fans.
This book is a photographic journey on the origin and life of ?Africa Hall? in Addis Ababa, Ethiopia ? a building declared in 2015 ?Monument to African History? and recently renovated ? which was donated in 1961 by Emperor Haile Selassie to the United Nations. Africa Hall was designed by Arturo Mezzèdimi, a young self-taught architect, to serve as the UN?s continental headquarters and was the birthplace, in 1963, of the Organization of African Unity, now African Union.
The building came to life with an inspiring story of reconciliation at a crucial moment in African history, when the continent was emerging out of the colonial period and making headway into a new era of independence and envisaged unity. Through its architectural composition and the embedded artworks, it embodied a Pan-Africanist vision and its rising ideals.
Edited by the grandson of the architect and representing Italy?s contribution to the renovation project, the book sits at the crossroads of photography, architecture, history, and art and comprises an amplitude of independent essays, contributions and recollections from authors of diverse profiles. Through impacting images and short articles, it addresses events of historical relevance on a global scale, for the entire continent of Africa, at a national level for Ethiopia, and locally for the city of Addis Ababa, concluding with an introduction to the life and work of its architect.
The work of photographer Gérard Uféras (b. 1954, Paris) covers a compelling and charming array of subjects, from glimpses of life behind the scenes at the opera and ballet, to marrying couples and their families on their wedding day, to the spontaneous energy and interaction of crowds at carnivals and sporting events. With the discreet but unerring eye of the seasoned photojournalist (he began a long association with Libération newspaper in the 1980s), Gérard Uféras captures people from all walks of life in moments of contemplation, creation and camaraderie, resulting in a body of work that offers a rich and nuanced picture of humanity.
Published to coincide with a retrospective of his work in 2025, this book presents the photographer's own choice of some of his finest work from a long and distinguished career. What emerges most strongly from this collection is Gérard Uféras's great passion for favourite themes such as music, theatre and dance, but, perhaps more resoundingly still, his profound empathy and respect for his human subjects.
Threads of Time is a journey around the world through the medium of textiles. In many communities, cultural heritage and traditions have been handed down through generations by textile artisans. Their beliefs, history, ceremonies, and traditions have been woven into cloth with meaning and purpose sometimes lasting thousands of years. Textiles are special in that they can create narratives that are personal as well as eminently portable.
The pages of Threads of Time illustrate exquisite textiles with location photography, from historical examples of centuries past to extraordinary contemporary expressions, revealing a continuum of inspiration and beauty. The 16 chapters, covering regions from across the globe, feature contributions from local textile makers and experts, bringing together over 30 voices to tell stories of cloth.
Locations explored include: Indonesia, China, Vietnam and Cambodia, Laos and Myanmar, Bhutan, Nagaland, Punjab, Egypt and Palestine, The Caucasus, Turkey, Madagascar, Tunisia, Ghana, Peru and Guatemala, Navajo Nation.
Rustic Architecture in America 1887-1940 is a history of a series of misunderstood masterpieces, the log-based architecture that emerged in the Adirondacks and the National Parks between 1890 and 1935. It is a history of how both form and technology of construction were determined by the tourist industry and the railroads who built the buildings and the social and environmental damage caused by the larger process of which they were a part. Many of these buildings were constructional shams driven by romantic pretenses, but there is also in the best of this architecture something truly original.
It is also a history of how the rustic aesthetic transcended glib, mythic romanticism to produce a truly original architecture, how the unique conditions of the West merged craft with the industrial, of how its designers drew on the landscape of the West in combination with the European traditions of the rustic to create an original architecture and a unique way of building. Forty buildings are examined in detail. The text and the numerous original drawings unfold the story how the work was actually constructed in relation to its many enduring myths.
Addressing one of the urgent issues of climate crisis and environmental pollution, this book explores our relationship to the sea: how we live alongside it, our bodily relationship to it, its role in the creation of a connected, global society and, perhaps most critically, the threat we pose to it.
Through a broad selection of works by contemporary international artists, Can the Seas Survive Us? responds to the urgent need to resuscitate our seas. While the oceanic environment is essential to all life, its vulnerability to human action is highlighted by an ever-increasing loss of biodiversity. This book prompts the reader to imagine a future in which collective human behaviour can mitigate the effects of climate change. As ocean temperatures reach record highs, it is clear that time is not on our side. This ambitious project aspires to accelerate climate awareness and deliver the critical climate action we urgently need.
The book will accompany a season of related exhibitions at the Sainsbury Centre, University of East Anglia, Norwich, Norfolk: Ecological Frontiers, 15 March-3 August, 2025; Yuki Kihara: Paradise Camp, 15 March-3 August, 2025; Sea Inside, 7 June-21 September, 2025.
